Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Carl Johan Fahlcrantz
Prospect stamp Uppsala.Manskenslandskap

ID: 48889

Carl Johan Fahlcrantz Prospect stamp Uppsala.Manskenslandskap
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Carl Johan Fahlcrantz Prospect stamp Uppsala.Manskenslandskap


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Carl Johan Fahlcrantz

Swedish, 1774-1861, Swedish painter. He began his artistic training in Stockholm as a pupil of the theatre painters J. G. Brusell and E. Limnell (1764-1861). He also studied under the French landscape painter Louis Belanger (1736-1816). In 1805 he was awarded a scholarship to go to Italy, but he preferred to use it to travel within Sweden, as this corresponded more with his interest in painting his native landscape in a National Romantic style. Fahlcrantz settled permanently in Sweden, never travelling outside the Nordic countries. In 1819 he became a professor at the Royal Academy of Arts in Stockholm and in the 1820s Karl XIV commissioned a series of major works from him. Oscar I followed suit, as did numerous other buyers inside and outside Sweden. In this way, Fahlcrantz's paintings were distributed as far as Denmark, Bavaria, Russia and America.   Related Paintings of Carl Johan Fahlcrantz :. | Saints Michael and Francis | Greyhound Catching a Young Wild Boar wr | A Gate Shaded by Trees also called Entrance to the Chateau Breton Landscapee (mk05) | Summer Landscape (nn02) | Portrait of Dona Isbel de Porcel |
Related Artists:
RING, Ludger tom, the Younger
German Painter, 1522-1584
John mulcaster carrick
fl.1854-1880
DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,






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